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Essay / Action versus Thought in Shakespeare's Hamlet
Table of ContentsIntroductionBody ParagraphConclusionIntroduction William Shakespeare's Hamlet stands as one of the most in-depth examinations of human nature in the literary canon. At the heart of this tragedy is the complex interplay between action and thought, embodied in the character of Prince Hamlet himself. Hamlet's internal struggle between contemplation and action not only drives the plot, but also serves as a thematic focal point, reflecting the broader human experience. This essay explores the way in which Shakespeare juxtaposes action and thought through the character of Hamlet, examining the consequences of his indecision and the philosophical questions that arise from it.Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essayBody ParagraphHamlet's propensity to overthink is evident from the beginning of the play. When his father's ghost charges him with avenging his murder, Hamlet does not immediately take action. Instead, he philosophizes about the nature of revenge, mortality, and justice. In his first soliloquy, Hamlet laments: “Oh, that this too solid flesh would melt, / Would thaw and dissolve into dew! (Act 1, scene 2). This soliloquy reveals Hamlet's deep melancholy and his propensity to ponder existential questions rather than act immediately. His intellectual nature causes a significant delay in avenging his father's death, reflecting the tension between thought and action. Furthermore, Hamlet's famous soliloquy "To be or not to be" (Act 3, scene 1) sums up his internal conflict. Here, Hamlet contemplates the nature of existence and the lure of suicide as a means of escaping the "slings and arrows of scandalous fortune." This monologue highlights Hamlet's deep introspection and his struggle to reconcile thought and action. He questions whether it is nobler to passively endure life's difficulties or to actively oppose them, thus illustrating the paralyzing effect of his overthinking. In contrast, figures like Laertes and Fortinbras embody the principle of action rather than thought. Laertes, upon learning of his father's death, quickly returns to Denmark and immediately seeks revenge on Hamlet. His impulsive nature stands in stark contrast to Hamlet's hesitation. Likewise, Fortinbras determinedly pursues his goal of recovering his father's lost lands. These characters highlight the consequences of unbridled action, suggesting that a balance between thought and action is necessary for effective decision-making. The consequences of Hamlet's indecision are tragic. His delay in avenging his father's murder leads to a series of events culminating in the deaths of several key characters, including Ophelia, Gertrude, and ultimately Hamlet himself. In Act 4, Scene 4, Hamlet encounters Fortinbras' army and reflects on his own inaction, lamenting: "How all occasions denounce against me, / And stimulate my dull vengeance!" » This moment of realization marks a turning point for Hamlet, as he decides to act more decisively. However, his new determination comes too late, and the tragic outcome underscores the devastating impact of his earlier hesitations. Shakespeare uses Hamlet's internal struggle to explore broader philosophical questions about the nature of action and thought. The play suggests that excessive contemplation can lead to paralysis, while impulsive action can lead to recklessness. Hamlet's journey illustrates the difficulty of finding a balance between these two extremes. Its tragic end serves as a cautionary tale, warning of the dangers of overthinking and.