It is widely believed that the epistemologies of composers writing about World War I (WWI) had a significant impact on stigmata and perceptions of this war. If literature is to play this crucial role in nourishing society's understanding of the atrocities of war, it becomes imperative that epistemological representations are able to adequately convey these terrors, through textual or visual elements, in order to guarantee that the experiences of the First World War are accurately reflected for generations. future. A critical look is necessary to question both the different representations of physical combat in war. This will be explored, through the eyes of different perpetrators and victims in several texts - the 1930 novel Generals Die in Bed by Charles Yale Harrison, the poem "The Soldier" written by Rupert Brooke in 1914 and the novel All Quiet on the 1929. Western Front by Erich Maria Note. All of these will be used to contribute to the idea that the horror of war should never completely leave our cultural psyche. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get Original Essay Generals Die in Bed by Harrison is a Canadian anti-war novel, based on his personal experiences fighting in World War I . It is a direct depiction of the ruthless way of life in the trenches. The bond between a patriotic soldier and his homeland is explored in the poem “The Soldier.” It is a deeply patriotic and idealistic representation of this bond. All Quiet on the Western Front is a novel by German World War I veteran Erich Maria Remarque. The novel highlights the concepts of idiocy and irrationality surrounding the extreme physical and mental stress throughout the war and, upon returning to the home front, the severe detachment felt by the soldiers. Generals Die in Bed is an anti-war novel by Charles Yale Harrison. The novel, first published in 1930, describes direct combat experience through an anonymous eighteen-year-old Canadian soldier - based on the author's personal encounters. It provides an "authentic and evocative" portrait of life in the French trenches throughout the First World War, which is undoubtedly horrific, with disillusionment and cynicism present throughout the realist style. This novel also presents itself as a confrontation of the savage realities of war for its readers, in an immediate and experiential way. Shared experiences are communicated in order to reveal the repressed truths of war, which belie patriotic proclamations of glory, honor and courage, thereby exploring the deromanticization of war. Generals Die in Bed is written in a journalistic manner, mostly devoid of ideological commentary. Authenticity is built in the text. Although the novel is undoubtedly an anti-war text, it does not preach to its audience, instead challenging the idea that war was heroic and noble by presenting the everyday horrors and realities of life military and trench warfare: “We don't know what day it is. We lost count. It doesn't matter if it's Sunday or Monday. It's just another day – a day to die. » To a large extent, Generals Die in Bed largely succeeds in its modernist approach to depicting the atrocities of post-war trauma. The study of war literature cannot be limited only to victims, veterans and experiences.