Table of ContentsOverview of the Night EssayIntroductionAggressive diction and loss of faithTone and its emotional impactImagery and its effects on the readerRaskolnikov's transition and his relationship with SonyaConclusionExample essay by nightThe Variety of Literary Devices in “Night” by Elie WieselTransitional Changes in Raskolnikov's CharacterConclusionWorks CitedNight Essay SummaryIntroductionOverview of Elie Wiesel's “Night” and Its Depiction of the HolocaustThe Impact of the Holocaust on Eliezer's physical, emotional, and spiritual well-beingThe role of aggressive diction, gruesome imagery, and figurative language in the narrativeAggressive diction and loss of faithAnalysis of Wiesel's use of aggressive dictionThe meaning of words like “murder,” “consummated,” and “flames” to describe faithThe repetition of “Never Shall I Forget” to emphasize the horrors of the HolocaustThe use of powerful words like “commanded” to describe the treatment of JewsThe tone and its emotional impactThe solemn tone of the storyThe depiction of Eliezer's acceptance of his destinyExamples of metaphors and personification to convey emotionsHow the tone sets the mood and reflects the emotional state of the narratorThe imagery and its effect on the readerThe use imagery to stimulate the reader's senses and emotionsMemorable images such as the reflection in the mirror and the hanging boyThe impact of imagery in conveying the horrors of the HolocaustRaskolnikov's transition and his relationship with SonyaThe change in Raskolnikov's consciousness after committing murderHis struggle to accept his guilt and the collapse of his resistanceSonya's role in helping him confront his crimeRaskolnikov's realization and the path to redemptionConclusionEliezer and Raskolnikov's transformative journey importance of literary devices in conveying their emotional and psychological experiencesThe lasting impact of their stories on the reader's understanding of human suffering and redemptionNight Essay Example“Never I Forget That Night, The First Night at Camp , which transformed my life into one long night, seven times cursed and seven times sealed… Never will I forget these moments which murdered my God and my soul and transformed my dreams into dust. I will never forget these things, even if I am condemned to live as long as God himself. Never. (Wiesel) » In the novel Night, Elie Wiesel recounts his horrific experience as a young Jewish boy during the Holocaust in which he witnessed some of the eleven million deaths that occurred as a result of the quest for power. 'Adolf Hitler. At the age of twelve, Eliezer and his family were transported and moved to numerous concentration camps in which he witnessed the worst forms of torture, abuse and inhumane treatment. This experience had a huge physical, emotional and spiritual effect on Eliezer and had an obvious influence on the tone with which he wrote the book. In order to give the reader a realistic experience, Wiesel uses aggressive diction, gruesome imagery, and figurative language to reinforce Eliezer's loss of faith and identity. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Should Not Be Banned"?Get the original essay The Variety of Literary Devices in Elie Wiesel's 'Night' Wiesel's aggressive diction gives the reader a clear picture of his experience in the concentration camp, and offers an explanation for why Eliezer, a devout Jew, begins to doubt and lose faith in God. He uses the words “murder” and “consummated” to describe how he feels about his faith being tested. These two words haveheavy connotations and further support Eliezer's suggestion that his faith was consumed by the "flames" of the Holocaust. He continues to say that his "dreams" have turned "to ashes", suggesting that he no longer has a reason to live. His constant repetition of the phrase “I will never forget” continually etches the horrors of the Holocaust into the reader’s mind. Wiesel also uses stronger words such as "commanded" rather than softer words such as "requested" or "requested" to dictate to the reader the treatment he received. These words emphasize the power of the Bible for Jews and suggest that they continue their Jewish traditions only out of obligation rather than a desire to practice their faith. Strangely, Wiesel also uses the word "hellish" to describe the sun and the effects it has on one's health and hydration. This use of tone and diction helps give the reader a first-hand perspective of Eliezer's experiences and allows them to better understand the challenges he endured. The use of a solemn tone and various literary devices is an effective method of Wiesel's to describe emotions, or lack thereof, to the reader. Dr. Yi Chan of Stanford University suggests that Wiesel reflected on the most depressing aspects of the Holocaust and effectively put the reader in a depressed state of mind. Although much of the text was full of emotion, there were times when Wiesel showed no emotion; as if the life had been sucked out of him. For example: “On the seventh day of Passover, the curtain finally rises: the Germans arrest the leaders of the Jewish community. From that moment on, everything happened very quickly. The race towards death had begun” (10). In this quote, the text suggests that Wiesel no longer cares about his life, he has accepted his fate. In the previous quote, we can also find a metaphor, “the curtain has finally risen”. This represents the unveiling of the German's actions which had been relatively hidden for some time. Another example of metaphor is when Eliezer sat helplessly in the concentration camp, talking to himself: "As Eliezer himself said, 'The days were like the nights, and the nights left the dregs of their darkness in our souls” (88). The night is thus a metaphor for how the soul was plunged into suffering and despair. The reader can also find personification in the text, one day when Wiesel describes the way in which children were looked at as they entered the crematorium: "I will never forget the little faces of the children whose bodies I saw transformed in smoke under a silent sky” (34). The inhuman characteristics of the bodies turning into smoke give the reader a horrific image that is sure to have an emotional effect. The use of literary devices in the text adds an additional element to Wiesel's memoir and provides effective support for diction and imagery. Although Wiesel uses tone as a depressant for the majority of the novel, he also uses it intelligently throughout the text. story to express the strength of his relationship with his father even in the face of difficulties. The narrator's love for his father was sometimes the only reason why he had to constantly struggle to live: “The idea of ​​dying, of ceasing to be, began to fascinate me. No longer exist. To no longer feel the excruciating pain in my foot” (86). In this quote, Wiesel sets the tone of abandonment, of despair. The text suggests that Eliezer has given in and is content with death. However, as the sequence progresses, he goes on to write: “My father's presence was the only thing stopping me. He ran beside me, out of breath, exhausted,desperate” (86). Even when death seemed like an attractive option, Eliezer's thoughts of his father helped him overcome his difficulties. Tone is used in the text in order to convey to the reader a certain mood that would not be achieved without it. Wiesel uses imagery in order to reach the reader beyond their normal perspective and reach the imaginative side of the reader's mind. According to Sean M. Conrey of the Purdue Owl, an author “uses a word or phrase to stimulate memory for these senses. These memories can be positive or negative and will contribute to the mood of the story.” This is repeated throughout the novel, at one point when Eliezer comes out of his bed to look at me in the mirror, only to discover a horrible sight: “From the depths of the mirror, a corpse looked at me. The look in his eyes, as they stared into mine, never left me” (109). This is the last line of the book and leaves the reader with the everlasting image of Eliezer's broken body as he realizes what he has experienced. Another time Wiesel paints a memorable image to the reader is when he stands in the concentration camp, asking himself, "Where is God now?" ", only to answer: "Where is HE? Here it is. He hangs here on the gallows…” (62) Eliezer refers to the boy who had been hanged for all to see as the work of God, further stating that he has lost all faith in God. We clearly imagine a young, defeated, innocent corpse written on his face. This use of imagery greatly affects the reader and the way one interprets the novel. The most important thing to Eliezer is his Jewish faith; however, he loses all trust in God after witnessing the horrific Holocaust. In turn, Eliezer is emptied of his identity. Wiezel is able to effectively convey this idea to the reader through the text. He does this using various literary devices and overly aggressive diction. This depiction of the Holocaust offers a different perspective to the reader, as it shows much more than just the physical effects. The reader now understands more clearly what the Jews really had to endure during this genocide. Transitional changes in Raskolnikov's character After thinking about the pessimistic consequences of this crude and selfish murder, a change of consciousness takes place in Raskolnikov. Once he realizes the reality, he breaks down: “Surely it’s not starting already!” Surely this is not my punishment that is coming to me? It is! (103).” Although he committed a very serious crime, Raskolnikov still refuses to believe that it really happened. In reference to his theory of man, in which the extraordinary man is "allowed" to break the law, he should be allowed to break the law without question, since this is a connection with the mentality possessed by the extraordinary man. Sonya's delicate personality helps prove to Raskolnikov that he is not fully qualified to be part of The Extraordinary Man. This little fragment in him composed of all the goodness, purity, love and forgiveness associated with Sonya still shines through for her. He has realized the pain and suffering he must endure, but he cannot allow the law to override his intelligence. Not accepting Sonya's identity, his mind and body lead him to carry the burden of guilt. Mentally, he could not give in to the righteous legalities that ruled the city, and physically, he could not give in to its cruelty. Raskolnikov's authoritarian resistance to authority leads him away from the path of truth, and because of this ignorance of reality, he refuses to admit his crime. Confused between good and evil, he experiences an internal battle, putting him in a mental argument, Raskolnikov had to tell Sonia who had.