Tillie Olsen's "I Stand Here Ironing" and Flannery O'Connor's "Everything That Rises Must Converge" relay the theme of parent-child relationships within the family, using strongly developed characters to convey the imperfect relationships and resulting impact on each member of the family. Written during the era of the Great Depression, each story reflects, to some extent, the theme of loss and the causes that led to this state. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Should Not Be Banned"?Get the original essay Flannery O'Connor's widely anthologized short stories often employ humor, irony, and paradox within a Christian belief system in evil and redemption to express religion. Southern themes and life. As a social satirist and religious writer, Flannery O'Connor often highlights American cultural challenges such as random violence, race relations, and class discrimination. Born in Savannah, Georgia in 1925, her father died of systemic lupus erythematosus when she was a teenager. After high school, Flannery O'Connor continued her writing studies at the University of Iowa and published her first short story, "The Geranium," at the age of 21. Flannery O'Connor spent several months at Yaddo, an artists' retreat, after graduating from college. Best known for her short story collections, Flannery O'Connor has received honors including an O. Henry Award and the National Book Award. Flannery O'Connor battled lupus, an autoimmune disease, for more than 10 years, finally dying from it in Milledgeville, Georgia. Tillie Lerner Goldfarb Olsen, American writer and social activist known for writing powerful fiction focused on the inner lives of the working poor. , women and minorities, brought attention to long-neglected women authors and inspired the development of university-level women's studies programs in the United States. Olsen gained popularity, particularly among academics, throughout her life, cited by the American Academy of Arts and Letters for creating a "freshly poetic form of fiction." She held nine honorary doctorates, won fellowships and residencies at artist colonies despite her complicated relationship with her past, including never finishing high school. The second child of his parents, members of a predominantly Jewish and socialist self-defense league seeking to end the injustice and brutal programs of Tsarist Russia, they lived in Minsk before his father was arrested after being identified as having participated in the failure of Russia. Russian Revolution of 1905. Threatened with death or exile in Siberia, Samuel Lerner fled to England, adapting to the language before immigrating to New York in 1906. Hashka Goldberg, nicknamed Ida by Russian agents Immigration followed suit in 1907 when they moved to Omaha, Nebraska, the residence of Samuel Lerner's maternal parents. Samuel Lerner and Ida Goldberg never married, but raised six children while remaining reformists within the Workers' Circle. Tillie enrolled at Central High School in Omaha in January 1925 and began a humor column in the school newspaper within a year. An experimental child, she had an unplanned pregnancy at the age of 16, which led her to leave school due to "illness", before having an abortion and subsequently returning to school. She did not graduate from Central due to withdrawal orexpulsion, although the cause is unknown. Her parents' socialist values ​​strongly influenced Tillie Lerner, but she began living independently and joined the Young Communist League. Abraham Jevons Goldfarb, a practicing communist, took Tillie with him to Stockton, California, where his parents lived, on Tillie's 18th birthday. The remainder of 1930 was spent crusading for the Communist Party USA in the Midwest, marrying Abraham Goldfarb on February 14, 1931. Abraham and Tillie returned to the Midwest in the fall of that year after Tillie was arrested for her involvement in fomenting worker demonstrations. His contraction of tuberculosis while incarcerated led to his release, moving to Omaha and then to Minnesota after his photo was published in the local Omaha newspaper. During her stay with Abraham Goldfarb's sister, Tillie began to recover and write (Reid). During the lives of authors Flannery O'Connor and Tillie Olsen, significant events occurred that changed and shaped the United States and the world. The first journey by diesel-powered automobile was made, going from Indianapolis, Indiana to New York, New York. Hostess Twinkies were invented by Jimmy Dewar, and the United Kingdom, Japan, and the United States signed the London Naval Treaty regulating submarine warfare and limiting shipbuilding. The last recorded lynching of African Americans in the northern United States occurred with the hanging of Thomas Shipp and Abram Smith in Marion, Indiana. President Herbert Hoover asked Congress (United States) for $150 million for the public works program to help create jobs and better stimulate the economy. The United States occupied Haiti, fought alcohol prohibition, battled the Dust Bowl, and endured the Great Depression. These events and circumstances had a considerable impact on the lives of Tillie Olsen and Flannery O'Connor, in turn influencing their literary works. Tillie Olsen's "I Stand Here Ironing" and Flannery O'Connor's "Everything That Rises Must Converge" both focus on the toxic relationship. of a mother and a child. Although Tillie Olsen's mother in "I Stand Here Ironing" is a maternal figure to several children, the storyline focuses on her eldest daughter, Emily. Emily's mother, compared to Julian's mother in "Everything That Rises Must Converge", raises her daughter as the product of "anxious, not proud love". Julian's mother, conversely, takes every opportunity to brag about her son's accomplishments, despite the lack of pride he has in himself. Julian and Emily were each raised without a father figure for part, if not most, of their lives. The absence of a father figure is replaced and compensated for in different ways; Olsen's mother chose to send Emily to a convalescent home in the country where she would receive the kind of food and care that the mother is unable to manage for her, and then expects her to takes care of her younger siblings and accepts Bill (her mother's new husband) as her new father figure. Julian's mother was "a widow who had fought hard to feed, clothe, and send [Julian] to school and who continued to support himself." Mother-child relationships are not always positive, despite the best efforts of either party involved. Emily made efforts to communicate with her mother in various ways. Julian, however, rejected his mother due to the annoyance caused by her. Julian is ashamed of his mother and the prejudices she and like-minded people hold toward people of color. “I StandHere Ironing” by Tillie Olsen is a mother’s monologue in response to a school counselor’s request to talk about her eldest daughter, Emily. . In her monologue, the mother remembers the obstacles presented by the Great Depression and the toll they had on Emily. As the daughter of a single mother, Emily was sent to the care of inadequate and uncaring caretakers, “nurseries that are nothing more than parking spaces for children” (Olsen 447). Her mother spends a lot of time worrying about Emily's well-being rather than actually caring for her, and instead of allowing her to be a child and act her age, she encourages her. to take care of his four younger siblings by acting as a second. guardian. Even when circumstances improved during her mother's second marriage, Emily was again separated from the family after contracting measles, sent to a convalescent home where Emily learned isolation due to minimal parental contact and the discouragement of close attachments (Werlock). “I Stand Here Ironing” is a story set in the aftermath of the Great Depression and World War. II, drawing parallels between two generations represented by the anonymous 38-year-old mother and her 19-year-old daughter, Emily. Tillie Olsen's story highlights the challenges faced by a single working parent and the effects these challenges have on children. The circumstances illustrate the difficult times Americans faced during the Great Depression, demonstrating the poor quality of life, as the mother stated in her reflections: "We were poor and could not provide him with easy growing soil » (Olsen 451). The title of the short story itself echoes the erasure and reformation of the mother's emotions, in the physical act of removing wrinkles with an iron (Snodgrass). Flannery O'Connor's "Everything That Rises Must Converge" plays at the beginning. of the civil rights movement when the South was still segregated. Many of Flannery O'Connor's short stories involve the Christian concepts of sin and repentance, and "All That Exalts Must Converge" deals specifically with the sin of pride, which Catholics view as an attempt to place power and abilities human above those of God. Set in the South, Flannery O'Connor's story focuses on two white characters: an elderly woman who views herself above others around her because of her racial heritage and her college-educated son , and her son, Julian, who considers himself better than his mother. based on his open-mindedness and lack of stereotypical racist views. The plot of the story revolves around a bus ride to the city for the mother's trip to the YMCA for her reductive class, and the hat she so carefully chose and paid for to be worn by another woman , a woman of color, on the bus. Abby Werlock's analysis concludes that: “Self-discovery despite self-deception becomes the major theme of this tale. Ironically, however, Julian and his mother move from an inaccurate self-image to the harsh realization that the character traits they value so highly are in fact petty and worthless” (Werlock). Julian's forced interaction with people of color during the bus ride proves this to himself. that he is tolerant and devoid of racial prejudice, proof of the superiority of his mind compared to that of his mother. His mother, knowing that this act was an act of wickedness, feels superior to Julian, as her actions were callous and inconsiderate, valuing the heart over the head. Flannery O'Connor's use of repetitive imagery in the purple hat, the one chosen with such care and 2019.