The tale of “He Who Leaves Omelas” is composed by Ursula K. Le Guin. The story opens with the depiction of a perfect city, Omelas, shining brightly transcending the ocean and the locals praising the celebrations. The harbor sparkled with flags on rigged boats. Everyone was dancing, the rhythms of the music were faster, the shimmer of gongs and tambourines, their procession was just dancing. The scene resembles a happy and fair tale. The young people came in and out, their thoughts rising like the intersecting flights of swallows, as the music and songs flowed. All the children, boys and girls, wandered naked in the clear air, covered in mud from top to bottom. Everyone seems happy. The author now talks about the people of the town of Omelas. He describes that they were not simple people, that they no longer spoke many words of joy. They were looking for the new ones surrounded by their knights, or perhaps big muscular slaves. But there was no king. The narrator also explains that he does not know the laws and regulations of society, but he suspected that there were very few of them. These individuals have come to understand what is essential, what is risky, and what is both and what is not. These things that are essential, they have them. They also have these guilty pleasures which are neither essential nor ruinous. Omelas is a happy town, supervised by dynamic, lively and enthusiastic adults. Their lives are neither desperate nor serious. The city has a confirmation of joy; he made a deal, but it is unclear how and with whom. The arrangement is this: in a room beneath the city there is an embarrassed, panicked, half-starved teenager, and everyone in Omelas understands that the child is there. Thus, the general public has discovered the horrible truth of value, and that is what they base their lives on. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay After that, the storyteller clarifies the terrifying underpinnings of this place. A young boy is kept in a state of great degradation, in a small, damp and austere room in a storm cellar. No one speaks to the child and he suffers from malnutrition, as most of the time the child suffers from starvation. The child is generally referred to as “it” rather than as a gender. Everyone in the town thinks of the young man. In short, the tyke is the price of the city's happiness and joy. Almost everyone is surprised when talking about the child and some even express blame, but many of them later discover how to recognize the situation and see the child as miserable. Also, some people choose to leave the premises. The storyteller himself does not think about where they are going, but none of them recognize the youth's misery. The story depicts the dreadful and unpleasant condition of the human condition. Individuals and social orders have always struggled with ethical quality while confronting situations with what is happening and what is correct. The story depicts a bright network greeting a mid-year celebration. This makes Omelas a city of unlimited satisfaction. Moreover, each of these consolations is made with a profession in a heartbreaking condition. The story conveys the message of an exemplary nature to be truly happy; we must defend what is correct, even if that means renouncing the recognizable. Omelas is a great place to live. Omelas individuals have an ideal existence without any pressure or stress. Indeed, even the general population of Omelas must do penance by managing the penance of a small child incapable of achieving total joy and.