The Effect of Art Theories on Artists' Practice Art practice refers to decisions and actions that affect choices , the perceptions, working methods and opinions of an artist or art historian. Tim Storrier sums up an artist's practice by saying: "A painting is actually a graphic illustration of where a particular artist is at that time in their life and art encompasses what the artist experienced in his life. » About art historians and critics, he says: “Other people come and interpret the painting with their own life experiences. » The subjectivity involved in the opinions of a critic or art historian is extremely high. Tim Storrier's practice is informed by theories of painting an idea. with a poetic touch. This idea then goes in search of “totems” on which to represent itself. Storrier talks about this theory: "My paintings don't start with visual stimulation, it's usually an intellectual idea with a poetic touch, and then the idea goes looking for different totems to represent itself on." Storrier further elaborates: “The essence of my paintings is that they try to create totemic images about Australia. We don't have many, for me the true totemic image of Australia is the horizon. » A totem is a natural object that generally constitutes the emblem of a clan within a tribal group. Storrier's totems are a natural object to which he can apply his poetic idea. We see in these quotes that Tim Storrier's art theory is concerned with the idea of ​​painting "totemic images" and that the paintings attempt to create totemic images. on Australia. Storrier believes the totemic image of Australia is the horizon. Storrier uses both subjective and cultural frameworks in his works. Storrier uses the cultural framework to emphasize his belief that the skyline is the totemic icon of Australia. The horizon is included in most Australian paintings and has become an integral feature of Australian artwork. Storrier was influenced by Australian artists Russell Drysdale and Sydney Nolan. Both of these artists use the horizon as a key element in their paintings. Storrier incorporates the horizon into almost every painting and the main idea of ​​his paintings is the horizon, not the actual objects he depicts on it. Storrier's theory that the horizon is Australia's totemic image stems from his love of the horizon, even as a child: "I was always looking at what lay beyond the horizon..