by George Orwell As the texts are compared analytically, their different contextual concerns are highlighted, thereby enhancing understanding of humanitarian issues of power and corruption within a sociopolitical framework. Fritz Lang's modernist silent film Metropolis explores humanity's tendency to become corrupt after being exposed to a semblance of status and wealth. Comparatively, George Orwell's postmodern novel 1984 illuminates how power dictated humanity in the post-World War II dystopian context. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essay Metropolis, Fritz Lang's 1927 expressionist silent film, contextually comments on the economic and political uprising of wealthy industrialists and the projection of the resulting corruption within humanity. . Lang's dismay at such injustice ultimately inspired him to create a New York-inspired gothic horror film aimed at worried Germans, hoping to convey the dehumanization that the exploitation of power brought to the Company. The intertextual representation of this thematic notion presents a distinct separation between German capitalists and citizens, reflecting the transcendent nature of Weimar Germany's plutocracy. Lang's focused shot of Freder looking at the machines in the underground city highlights the importance of the heart machine as a provoking object. figure of urbanization, highlighted by helpless workers performing movements in syncopation with the music in distress. This melodramatic setting reveals Lang's depiction of how capitalists abuse their power to turn the lower class into extensions of machines, reinforcing that the industry run by Metropolis instills dehumanization. Similarly, the Sons club evokes a spooky lust through the montage scene of faces evoked by the surreal image of the inundation of brochures in Georgy's taxi, to highlight the distinct exotic lifestyle and the contrast between social classes thus demonstrating the loss of integrity in order to acquire such social status. vices by power. This display of hedonistic aspirations informs the speakers that the power created by wealth and status implores moral decadence among underclass citizens, ultimately highlighting humanitarian failure. Similarly, power and corruption are explored extensively in Orwell's sociological science fiction novel 1984 and Response to Joseph. The Communist Dictatorship of Stalin Orwell reflects on his personal critique of totalitarian socialism and further produces this text as a cautionary tale to alert middle-class intellectuals about Stalin's political movement and a foreshadowing of a dystopian future if it does not is not stopped. Critical analysis of this notion allows speakers to understand the way in which power has dictated humanity in the dystopian context of the post-World War II era. The way in which political powers impose a propaganda-induced state of fear in a totalitarian society is focally repeated in the text by the party. political maxim “war is peace, freedom is slavery, ignorance is force”. This contextual reflection reveals the ways in which psychological independence is lost due to political ascendancy, further exacerbating the alienation of victims of this control. Political corruption is also hinted at in Orwell's hyperbole: "People just disappeared, always during the night...you have.