EssayFuturism began in Italy at the beginning of the 20th century. A group of Italian artists were interested in the mechanical and technological field and the speed at which developments were occurring. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay Their goal was to embody the energy of an ever-changing world. They discovered better ways to capture movement in art, using overlapping and blurring edges. Through this, they better captured the energy and power of shapes moving through space. Futurism mainly influenced Cubism and the flattening of pictorial space. Other influences were the urban subject matter of Impressionism, Post-Impressionism and the phenomenon of speed. Futuristic artworks often depicted machines, athletes, or cities; sometimes abstract. They conveyed the power and movement of the modern revolution. The artists used superimposed shapes, the flattening of painterly and spatial colors, Seurat's method of divisionism, and urban subjects. The artwork often had a patriotic, aggressive and fearless theme. Futurists believed that beauty could only exist in struggle. The founding member of the Futurists was Umberto Boccioni. Other member artists include: Carlo Carra Giacoma Balla Gino Severini Luigi Fussolo and the Dadaist; Marcel DuchampUmberto Boccioni was born in Italy in 1882 and 1916. He was the founding member and leader of the Futurist movement. He was influenced by the divisionist theories of Giacoma Balla and had great expertise in the interaction of visual arts and psychology. He was technically inventive and focused on the effects of industrialization. He was very strict when it came to aesthetic considerations and this is what ultimately led him to become a great futurist painter and sculptor. Examples of the beauty of his colors can be seen in his paintings, "The City Rises" 1910-11 and "Riot in the Gallery" 1909. He uses 20th century subjects and is greatly influenced by pointillism and simultaneity cubist by Seurat. Giacoma Balla He was older than the other four members of the futuristic group. He was born in 1871 and died aged 87 in 1958. He preferred working in Rome to Milan where he carried out his own distinctive experiments, notably on the movement of objects by means of paint. In his painting entitled "Dynamism of a Leash Search", he had painted a series of arms and legs which represented the movement of the dog on a leash, it was a delightful creation of futuristic simultaneity. Balla was a lyrical painter who achieved his effects without the noise and violence of some of his colleagues. "The Street Lamp - Study of Light" is a painting by Giacoma Balla. It is an oil on canvas completed in 1909. It shows a lamp post at night, casting a bright light onto the sidewalk below. Individual particles of light are depicted in the divisionist style and paint application of George Seurat. It features a bold play of spherical and fragmented curvilinear elements. Balla painted this subject because of the new technological advancement in Italy at the time. The Futurist movement was based on the rapid pace at which technological advancements were occurring. The composition consists of a single floor lamp, which projects a luminous halo of warm light. It aims to give a feeling of satisfaction with new advances in the field of electricity. The focal point of the painting is the light globe in the center. The colors are mostly warm and comforting..