In his memoir, Survival In Auschwitz, Primo Levi defines hope and expresses its importance as a key element of our humanity through the use of style , characterization and tone. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Levi poignantly defines his personal definition of hope through the use of authorial style. For one who may not know what it means to live without hope, it paints a physical picture. With words such as "dark" (39), "muddy (40)" and "small" (32), as well as a lack of color, vibrancy, excitement and light (135), Levi creates a lack of visual appeal. . This creates a sense of loss and emptiness in the reader's interpretation of the setting, as well as the mood within the camp. “The darkness and cold of sidereal space” (56) and the shades of gray (37) he uses as descriptive adjectives are intended to discourage and arouse deep feelings of resentment, lethargy, and weakness. Levi also uses imagery as a way to manipulate emotions; establish a connection with the victim within the scene. It uses suspense by telling the story in a particular order. Some events in the story are told in chronological order, but most of its story is told in order based on its relevance to the narrative. In terms of intent and point of view, the author controls the flow of information, dictating the facts made available to the reader, which creates an interesting parallel with the guards who controlled the lives of prisoners within of the camp. of warmth (40) is a strong evocation of emotions for an experience of mental depression and a cold, lonely place in the mind. This reflects the desolation of the camp environment. Levi also creates no hope for the future for the prisoners and avoids the subject of times to come, only living and surviving in the present moment. He discusses a word in camp slang that means never (133). The literal translation of this word is “tomorrow morning” (133), directly connecting the lack of hope to the language and culture of the camp. Levi uses images to try to convey the incomprehensible environment within the camp, the utter despair and absence of hope. He also demonstrates this through the account of the actions and reactions of the humans within the camp; how they treat each other and how they express their need for hope. Although Levi clearly expresses the pain he experiences within the camp (45), he also talks about what it feels like to be liberated and find hope again (71). On a “good day,” Levi shines the light of good fortune through his images and shares the excitement of the change in mood (71). When referring to his experiences after the liberation of the camp and the days when he showed hope, Levi speaks of "the horizon", shows his focus and confidence in the future, as well as "brightness" , clarity and sunshine. The sun has the power of healing, warmth and new life (71). Warmth encompasses regeneration and comfort, while sunlight chases away the figurative storm clouds. (168) This brings hope, not only for him, but also for the reader who accompanies him (73). Drawing on imagery, the tone of the memoir further enhances the understanding of hope, while also influencing a response to hope. what is written. This is calculated to convey an accurate judgment of humanity within the camp. Because the tone is so detached, the story is open to interpretation. The fact that the story is told from the prisoner's point of view is (173).