In Samuel Beckett's play Waiting for Godot, the two main characters, Vladimir and Estragon, spend the entire duration of the text waiting for the illusory Godot, leaving them in a cyclical cycle and repetitive. course of events while awaiting its appearance. Although the name itself suggests that Beckett intended Godot to symbolize God, a claim the author denied, closer analysis of the text suggests that Godot may not be a deity, but rather a representation of death. This is embodied in the general notion of Vladimir and Estragon's habitual waiting, boredom and inability to commit suicide, putting forward the idea that their situation can be a metaphor for the human experience, waiting for the release of death to free them from drudgery. of reality. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay As shown by the major motif of time that reappears throughout the text, Vladimir and Estragon spend both acts literally waiting for Godot to arrive. Essentially, the text suggests that the two men have been under the tree for an extended period of time, so long that they forget they were there before, as each day is as insignificant as the next. As a result, “time had no meaning to them” (Bigham, “The Meaning Of Time As Depicted In Waiting For Godot”), which is evident when Estragon asks “Ah! (Pause.) Are you sure it was here? (Beckett, 8), unsure of where he is supposed to greet Godot, even though he has been there countless times before. Vladimir consciously expresses this belief when Pozzo announces his departure, saying that "time has stopped." (Beckett, 37). Therefore, this reduced gravity of time and repetition recalls the idea that, as with all humanity, time and life have no real meaning and are only a prolonged sequence of waiting for dead, as Vladimir and Estragon wait for Godot. to the waiting period they experience throughout the play, the meaning of boredom that Vladimir and Estragon frequently comment on also evokes existential ideas about death. This is particularly stated in the concepts discussed by the German philosopher Friedrich Nietzsche, who emphasized the idea that God is dead and was also largely "interested in the fact that people conceal the absurdity of life and use the entertainment to escape boredom” (Cline, “Existentialism”). Thus, this correlates with the climate of Vladimir and Estragon's world as they continually attempt to satiate their boredom through the story of thieves, the theme of suicide, putting on boots and other recreations, marking their actions with the standardized comment “That”. I'll pass the time. Once again, Vladimir acknowledges the reality of their situation, this time in Act II, when he tells Pozzo: "We are bored... No, don't protest, we are bored to death, that's undeniable." . (Beckett, 92). Additionally, another major clue that means Godot is a presence of death is Vladimir and Estragon's inability to commit suicide, which they casually discuss but are unable to carry out. In Act I, they realize that the tree will not support Vladimir's weight on the noose and therefore will not break his neck, while in Act II, Vladimir and Estragon fail to hang themselves because they don't have the necessary piece of rope. Aside from knowing that both view suicide as a way to get bored, their inability to end their lives corresponds to the lack of free will they demonstrate throughout the text, as evidenced by their. 2015