Tato Laviera has been involved in the affirmation and transformation of Puerto Rican identity in the United States. Tato was born in Santurce, Puerto Rico. Sanchez arrived in New York's Lower East Side when he was 9 years old. Before emigrating to the United States, he studied under a well-known black Puerto Rican performer of Afro-Caribbean poetry. Sanchez attended Cornell University in upstate New York and Brooklyn University, but did not earn a college degree. He then engaged in social and community work for a few years and eventually embarked on a full-time writing career. His first poetic pieces, La Careta made U-turn (1979), challenge the tragic vision of the migrant experience presented by René Marques and neglect the multifaceted reality of these Puerto Rican migrants who never return to the island or whose the offspring were born in the United States. States.Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essayIn other words, Laviera represents the voice of a new generation born in the United States. Sanchez represents the voice of a new generation of Puerto Ricans, unwilling to give up their Puerto Rican identity in a United States that is no longer the exclusive domain of white Anglo-Saxon culture. He took courses in the Department of Puerto Rican Studies at Livingston College at Rutgers University from 1979 to 1981. He also highlights the impact of Latin American culture on mainstream American culture and depicts an Anglocentric society transformed by multiculturalism . His poems "my graduation speech" and "asimolao" are great examples of how he uses code-switching, colloquial speech, and humor to convey the linguistic and cultural hybridity of the Nuyorican experience . He also acknowledges the powerful influence of Afro-Caribbean poetry and musical rhythms on his work. Sanchez uses irony and wordplay in his work and has become one of the most powerful poetic voices in denouncing the consequences of American rule in Puerto Rico, and also linking the Puerto Rican migratory exodus to the colonial condition of the island. Arturo Alfonso Schomburg was a leading Afro-Puerto Rican collector, writer and activist. Schomburg was born in Puerto Rico, a laundress and merchant, where he grew up in San Juan until moving to New York in 1891. Here he became involved in the Puerto Rican and Cuban independence movements. He founded the revolutionary club Las Dos Antillas (The Two Antilles), of which he was secretary between 1892 and 1896. He also joined a Spanish-speaking Masonic called Sol de Cuba. He then rose through the ranks and rose to leadership positions within the Black Masonic movement in New York, serving as Grand Secretary between 1918 and 1926. Being Puerto Rican, West Indian, West Indian, Spanish, Black and American, he used his individualities to trading on behalf of many groups and has had a lot of support behind it due to its diversity and background. Schomburg withdrew from Puerto Rican and Cuban affairs after the Spanish-Cuban-American War in 1898 and turned his attention to the African-American community. He collaborated with the leaders of the Harlem Renaissance, people like Langston Hughes, Claude McKay and WE B Dubois. He publishes regularly in the English-speaking press and uses the name Guarionex (for Taino cacique). Schomburg assembled one of the largest collections of documents on the African diasporas of his time, including books, letters and works of art. His work constitutes the core of the Schomburg Research Center on Black Culture, as well as his contribution to theNew York Public Library in Harlem, where he later became curator of his own collection until his death. Schomburg used pathos as a way to reach the broad group of people he could represent, who were African American, Hispanic, and American. He used this advantage to gain a large following and fought for better human rights. He served as an inspiration for Puerto Ricans, Latinos and African Americans on the same line, contributing to a better life for society as a whole and helping future generations in the civil rights movement. Pedro Juan Soto was one of Catano's prominent Puerto Rican authors who is part of a widely recognized group of writers born in the islands. Other examples of Catano people are writers like René Marques and Luis Gonzales. These writers were the first to focus on the experience of Puerto Rican migrants. Soto, a supporter of Puerto Rico's independence from the United States, emphasized the psychological impact of the cultural dilemmas faced by working-class Puerto Rican migrants in metropolitan New York during the years of the Great Migration. After graduating from high school in 1946, Soto left Puerto Rico for the United States to pursue premedical studies at Long Island University. But he then abandoned his original career goal in favor of a degree in English literature. He wrote several Spanish-language New York City newspapers during his college years. But a year of military service during the Korean War interrupted his activities. Soto enrolled at Teachers College at Columbia University, where he received his master's degree in 1953. He returned to Puerto Rico a year later to work for the División para la Educación de la Comunidad. Known as a cultural dissemination agency of the Puerto Rican government. Her short story “Los Inocentes” received second prize in a literary competition sponsored by one of Puerto Rico's leading cultural institutions. The story focuses on the life-altering effects of the migration experience on a Puerto Rican family living in New York. It also reveals the strong influence on Soto's work of the American modernist fiction writer William Faulkner. Soto also taught a newly created program in Puerto Rican studies at the State University of New York at Buffalo. He later returned to the island and was for many years a faculty member at the University of Puerto Rico until his death. All of his novels, plays, and essays focused primarily on political issues affecting Puerto Rico and the Caribbean region. Only his first two novels have been translated into English. René Marques was one of Puerto Rico's most accomplished and internationally known playwrights. He was one of the first writers to introduce the theme of the migrant experience into Puerto Rican letters. He was also part of the Generation of 1950, which was a group of writers born in the islands, including José Luis Gonzales and Pedro Juan Soto. Marques trained and worked as an agronomist in the 1940s before pursuing a career as a playwright, fiction writer, journalist and university professor. In 1946, Marques went to Spain to study literature and theater. His first play "El sol y los MacDonald" (The Sun and the Macdonald Family, 1946) explained how Marques would combine avant-garde experimental theater and the existentialist philosophy of Europe and North America with circumstances and specific events in Puerto Rico's history. Upon his return to Puerto Rico in 1947, he became a frequent literary contributor to newspapers and.