The control of women's lives "The Birthmark", by Nathaniel Hawthorne and "The Yellow Wallpaper", by Charlotte Perkins Gilman presents the wrongful treatment women. women and expresses their oppression in the 19th century. In the stories, he perceives the distressing wives and the cruel treatment they receive from their husbands. The stories also show a stereotypical woman as being a housewife, poorly educated and the man of the house having power over her. Both stories involve married couples and how the husbands made these situations lead to more consequences and tribulations for their wives. These stories are important even today because they show the suffering of women in the past, what they went through and how men had more privileges than women. This reminds us of the importance of equal rights regardless of gender. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay “The Birthmark” was about a couple, Aylmer, the scientist, and Georgiana, the beautiful wife. Her beauty was not enough for Aylmer, he was obsessed with one flaw, the birthmark on his face. Georgiana said: “I don’t know what the cost to both of us might be to get rid of this deadly birthmark. Perhaps its removal could cause an incurable deformity; or it may be that the stain is as deep as life itself (15). She knows the risk and it could cost her life, but all she wanted was to satisfy him, so she agreed. In “The Yellow Wallpaper,” the husband, John, stops the narrator, the wife, from writing and tells her to do nothing and rest. At the beginning of the story, the narrator states: "If a high-ranking doctor and your own husband assure your friends and relatives that there is in fact nothing wrong with you except a temporary nervous breakdown – a slight hysterical tendency – what can we think? do (10)? This explains how the woman does what she is told because John is a doctor and a husband. This is similar to "The Birthmark", as they both listen to their husbands and accept their decisions because they believe they know what is best for them, particularly the fact that their husband's profession is important and respected . In the stories, both husbands controlled their wives. and convinced them to make decisions that were dangerous for them. The husbands are both alike because they are both selfish and assume that everything they consider is right and moral. In “The Birthmark,” a text that shows Aylmer to be selfish states: “His love for his young wife may prove the stronger of the two; but this could only be by intertwining with his love of science, and by uniting the strength of it to his own(1). It is likely that he wanted to get rid of the brand for its profits and pursue more of his love for science and not Georgiana. At the end of “The Birthmark” Aylmer succeeds and, finally, gets rid of the mark, but ends up killing it: “Alas! It was too true! The fatal hand had grasped the mystery of life and was the link by which an angelic spirit maintained itself in union with a mortal body (87). Which shows that Aylmer was wrong and cannot go against nature and what it had offered him. “Yellow wallpaper” is also similar because both had controlling husbands and thought they knew more about their wives. In “Yellow Wallpaper,” the husband, John, prevents the narrator, the wife, from doing what she loves; “I sometimes imagine that,.