In modern art, many paintings can be used to describe events, particularly historical or cultural ones. However, this essay will focus on specific events and how three different works of art, by three different artists, represent what is happening. We will look at the following artists and specific works from their portfolio. This essay will focus on the Impressionist movement and why the divide between the artists of the movement and the Salon or the Academy of Fine Arts in Paris was so significant. Say no to plagiarism. Get a custom essay on “Why Violent Video Games Should Not Be Banned”?Get the original essay Monet, Renoir and a few other artists eager to be independent of the official annual Salon and its rigid rules started their own movement, called impressionism. . And although some people have been rejected from the Salon, this is one of the first times that a group of painters has rejected the structure and rules of the Salon and started their own movement. Unified only by their independence from the official Salon, they work together. The ideas and painting styles they had were considered radical at the time, because they violated the rules of academic painting. The techniques used by the Impressionists at the time were developed, style specific, and encompassed a style or way of seeing immediacy, movement, and candid poses, with use of bright and varied colors common in painting impressionist. Impressionism as a style broke many of the academic rules during the 1870s and 1880s, because the academic rules favored the neoclassical and romantic styles. Academic art was art influenced by the standards of the French Academy, which created a new style based on the fusion of the neoclassical and romantic styles of the time. According to our textbook glossary, neoclassical style is defined as "An art historical term for 18th-century styles—and particularly those in architecture—that traced back to the styles of the classical period of ancient Greece and Rome. . ", and the romantic style/romanticism is defined as follows: "Beginning in the late 18th century and continuing through much of the 19th century, it was a movement in music, literature, and the visual arts which exalted humanity's capacity for emotion. » (Arnason and Mansfield 762). The reason the early Impressionists were considered to be breaking the rules of academic painting was that what they created were freely brushed colors that took up the standard of superb lines and contours, and they painted realistic scenes of the modern life, often painted on the outside, not on the outside. in a studio somewhere. They wanted to depict and did depict the visual effects afforded to them by painting outdoors, from sunlight and other sources, versus the details and brushstrokes that were both mixed and pure colors not mixed, which was the opposite of what was usual. very well in the work chosen for this essay, particularly in what is the namesake of this movement, Impression: Sunrise by Monet, painted in 1872. Cornfield with Crows by Van Gogh, painted in 1890, and Renoir's Girls at the Piano, painted in 1892, will also be examined in less detail, regarding its significance for the Impressionist movement. Monet's Print: Sunrise, which this essay will now call Monet's painting, depicts boats at sunrise with a boat and the sun as pointsfocal points, and other boats in the background. There is something else in the background of Monet's painting which, according to Janis Tomlinson, "are not trees but the chimneys of packboats and steamboats, while to the right, in the distance, “other masts and chimneys stand out against the sky”. Which is logical since the painting represents Port Le Havre at sunrise, according to Paul Smith. The style and color choices show a blurred scene, a departure from the traditions of the time, at least for landscape paintings and what was considered classical beauty. Stylistically, Smith asserts, "Print, Sunrise was about Monet's search for spontaneous expression, but was guided by precise, historically specific ideas about what spontaneous expression was." In terms of color, the canvas has a layered effect, with the base layer being made up of different shades or tones of gray, and as more details, such as the sun hitting the water or other elements of the painting lined up, have been added with different colors. Gordon adds, of the blue-gray accents and orange glows, "are like last-minute revelations that had to wait, not only for the particular glow of orange to make its way through the fog and finds its way reflecting on the water and the eye of Monet but so that the canvas itself, pregnant with the misty space outside, is ready to receive it. Crows, considered one of his last works, although not confirmed by art historians, is a painting that Van Gogh recreated from memories of the North. Several critics cite this painting as one of his. best works. The short paint strokes, the unblended sections of paint, the difference in light levels in the evening sky and a simple subject, diverging roads in a wheat field and crows. This painting is the definition. of an impressionist painting, however, what this painting conveys is “sadness, extreme solitude”. (Van Gogh). The color contrasts between the blue sky, the orange-yellow of the wheat, the red of the path and the green bands of the grass, cause this very vibrant effect in the painting. These paintings show what impressionist paintings were, stylistically, but not the importance of impressionism. or the impact it had on the art world in the 19th and 20th centuries. Before the Impressionist movement began, artists who wanted to make a living had to follow the academic artistic styles described above. However, the Impressionist movement changed the situation. As society changed in the late 19th century and the Industrial Revolution was underway, artists began to decide that they wanted to change the style accepted by many, notably the living room. Their focus shifted from the classic themes of the time to scenes from everyday life and the world around them. This kind of challenge to the art world in France was important. An important example of direct influence is some works by Van Gogh and other major painters. Van Gogh wrote in one of his letters: “instead of trying to reproduce exactly what I see before my eyes, I use color more arbitrarily, in order to express myself forcefully.” Before the Impressionists, people could only use colors in specific ways, but the Impressionist movement allowed the use of colors in all kinds of areas, promoting artistic freedom, to a level never seen before. Francesco Salvi, Italian actor and architect, said: "Impressionism is the basis of all modern art, because it was the first movement that managed to free itself from preconceived ideas and because it changed not only,.