Ang Lee's film Crouching Tiger, Hidden Dragon is one of the controversial films of the 20th century. After its release in 2000, the film immediately became a success in the United States, but in China, where it was filmed and filmed, the film reportedly became a failure ("Crouching Tiger, Hidden Dragon" par. 3). In the United States, the film was considered a bright martial arts fantasy epic, rated the best film of the year. The film was highly rated in the United States, surpassing the highest-grossing foreign language film of the time, Roberto Benigni's It's a Wonderful Life. Despite the growing popularity of the film Crouching Tiger, Hidden Dragon outside of China, the presentation as a whole was not well received by Chinese audiences ("Crouching Tiger, Hidden Dragon" par. 4). The failure was due to the fact that the film presented some of its content in a way that contravened Chinese cultural beliefs. This article discusses why this film received mixed reactions from American and Chinese audiences, given its emphasis on cultural translations. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essayThe film encompasses profound Chinese popular culture. The film presents itself as the product of several factors. For example, it shows that the director and screenwriter wanted to use the film to undertake a thoughtful and critical assessment of Chinese classical culture (Lee 7). Based on the setting of the film Crouching Tiger, Hidden Dragon in China using Chinese characters with a worldview in mind, the film is transfigured to make the characters criticize the culture and tradition of the Asian-American nation. Peaceful. Ang Lee carefully produced the film by fusing various forms of Taoist philosophy and Chinese mythology, which together give a broader perspective to its main agenda. The type of design adopted differed considerably from that of many Asian films which in most cases adopt the esoteric path of denial and detachment (Hollande par. 7). Ang Lee embraced a gently romantic, more life-affirming humanism. Traditionally, most Asia-Pacific films are characterized by an Eastern philosophy which, in various respects, differs from Western films, which are characterized by their ideals of humanistic sensibility. The difference is evident in three important exchanges recorded between Yu Shu Lien and Li Mu Bai, the film's two main characters (Holland par. 3). A comprehensive analysis of these exchanges highlights the meaning and reality of human attachment to life, which contradicts the view of Taoist mysticism that the only path to enlightenment is through detachment and illusion. At the beginning of the film, viewers are introduced to Shun Lien and Mu Bai, who had feelings for each other for a long time. However, contrary to public expectations, both men denied these feelings to pursue the demands of Giang Hu's lifestyle. In the first scene, Mu informed Lien that he had decided to engage in "deep meditation" ("Crouching Tiger, Hidden Dragon (2000)" par. 9). Lien was shocked at how Mu could prematurely abandon such a practice when it was what was expected of him as a Wudan warrior. As a warrior, Mu was expected to train in meditation, a crucial part of his regimen. Before breaking away from meditation, he recounted an incident that prompted him to abandon the practice. During his final meditation, Mu told Lien that he had come to a place of deep silence (Hollande par. 11). In this state, hewas surrounded by light where space and time instantly disappeared. Lien concluded that he had reached the place of enlightenment, but Mu confirmed to him that he did not feel any sense of enlightenment, instead he was surrounded by endless sorrow which, from a somehow pulled him back. Mu later realizes the “thing” that attracted him. he returned her affection for Lien. By clinging to the feeling of affection, Mu knew it was contrary to his Wudah method of detachment (Lee 7). When he was with Lien, Mu discovered that something was missing in his meditations. Midway through the film, they took their affection to the next level; Mu became brave enough to take Lien's hand, pressing it against his cheek (Faith par. 3). In doing all this, Mu was aware of the implications of his philosophy. He told Lien that everything they touched was temporary, that according to his master there was nothing permanent in this world and that the best thing one could do at any time was to let go and to truly possess what was real. The Wudah philosophy represented Taoist orthodoxy, which Lien opposed. According to Lien, clinging to such beliefs is inaccurate, because everything must be taken with the realism of common sense. For example, he challenged Mu by telling him that his hand is real, contrary to his perception that everything is an illusion ("Crouching Tiger, Hidden Dragon (2000)" par. 3). Although he clung to the Wudah philosophy, Mu believed that suppressing feelings made them stronger. The more they held hands, the more Mu wanted to be with her and thus developed a deep sense of peace. By the end of the film, Mu had become consumed by the circumstances surrounding his decisions (Faith par. 7). As such, he was injured and Lien encouraged him to take up meditation to help him recover. Lien advised him to free himself from this world and let his soul rise for once towards eternity; she encouraged him not to waste it anymore in this world while he was deeply hurt and in great pain. However, in his response, Mu refused to accept his offer (Hollande par. 9). Instead, he preferred to be a ghost drifting alongside her because he had always loved her. Mu talked about how his life had been a mess, but he comforted himself by telling her that he wasn't going to be a lonely spirit. Mu's Wudan philosophy was a complete lie and could not stand. It is obvious that his entire training was a complete waste (Faith par. 9). He intentionally stopped his intention to pursue his dreams for love. As the film moves into the final scene, viewers are warned to stop watching. It is unclear why Ang Lee decided to do this as he did not give any reason. Lee chose for viewers to find the meaning themselves. The suspense that the director creates in the film makes it difficult for audiences from different cultures to understand. Jen, one of the characters in the last scene, was on top of Wudah Mountain when LO, Chen Chang, tricked him into jumping off the mountain. Lo pointed out to him that anyone who dared to jump from the mountain never died. God always grants the wishes of those brave enough to jump by making them float in the air (“Crouching Tiger, Hidden Dragon” par. 7). Lo convinced Jen that if she jumped, her wish would be granted. Jen, without thinking further, jumped and she floated into the mist before disappearing from view. Earlier, before jumping, Lo promised Jen that they would be together in the desert. What happened next contradicted Lo's promise because after Jen jumped, she flew away and never returned, so the promise of being together in the desert never materialized. THE.