I've always dreamed of what it would be like if an electrical engineer had superpowers. He would be able to shoot lightning bolts and deflect bullets with a magnetic field. To my delight, in the recent film The Amazing Spider-Man 2, an electrical systems engineer is mortally shocked and gains the power to control electricity. The story of the film is rather simplistic: the hero fights for justice and the villain tries to kill the hero out of revenge. In the end, Spider-Man finally finds a way to defeat Electro and justice is served. The good guy wins, the bad guy loses, the audience applauds. This is an example of a comfort zone movie; it takes its characters from comic books, we feel good because Spider-Man wins, and the film doesn't challenge our thinking. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay However, I didn't walk away from the film without gaining anything. Bill Swanson, in his article on “How Movies Feed the Mind,” states that “it is a mistake to place [simple universal values] in the pure realm of fantasy.” I've watched a lot of comfort zone films and a few films that make me think: however, it's rare that a director manages to incorporate the mythical and action-packed elements of "escapist" entertainment while by creating a non-universal and real human conflict. Unlike films that focus on a complex plot and somehow question reality, "escapist" fantasies can more easily create artistic views that we don't get to see in everyday life. The Spider-Man movie brought the super-powered engineer to life with its dazzling special effects, while the simple plot allowed the film to conclude with an ultimate final battle to showcase the abilities of both the protagonist and the villain. Moreover, quality action films successfully create chains of images that last and stick to the cobweb of the mind. Some humans inside crave the special feeling of aggression and power that the images on screen create. Like a person who watches a film repeatedly to derive more meaning from it, a person may rewatch a film to become more fully immersed in its details. an epic fight scene. Some people watch movies to fulfill this Freudian desire and see their dreams as reality, while others want to stimulate their brain by expanding their thinking. The big problem is that it's very difficult to satisfy both types of people in one movie. It's a very big gap between taking the story of Lord of the Rings or a typical superhero film – excluding The Dark Knight – and turning it into the complexity required for an intellectual vision. Adding fantasy elements to a "non-escapist" film proves difficult because the characters lose the cartoonish qualities that make them so great in a blockbuster film..