How many different interpretations can be derived from a single source? Because of the pervasive distinctions that exist within each person, the outcome we perceive of an event changes with each individual perception. Among the various editions of William Shakespeare's Hamlet, Kenneth Branagh's 1996 version combines historical visuals with the original storyline. Equally critically acclaimed, Gregory Doran's 2009 film adaptation embodies a modern take on the timeless tale. The different elements of each not only allow the viewer to understand Hamlet's plot, but also facilitate different perspectives on one scene: the death of Polonius, and Hamlet's subsequent reaction and treatment of Gertrude. Although they share the same plot, the differences between Branagh and Doran's interpretation of this scene illuminate the contrast between a literal interpretation and a contemporary account. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay At first glance at Gertrude's bedroom in Branagh's film, one immediately notices the opulent setting in which an abundance of regal furniture and antique ornamentation furnish the spacious ensemble. Dusty pinks, sky blues and gold-plated items dominate the color palette, reinforcing the immense wealth possessed by the royal family. In fact, Gertrude's golden dress is an important source of color in the scene. The combination of these hues creates a happy, calm mood – a complete juxtaposition with Hamlet's pure black outfit and "antique disposition." The intense lighting creates the illusion of a larger room, which ironically symbolizes the freedom beyond the characters' reach. In contrast, the setting of Doran's film features a completely different color palette, with shades of black, gray, and brown overshadowing much of the embellishment of Gertrude's room. By using neutral shades for the majority of the accessories, an ominous atmosphere is created, amplifying Hamlet's aggressive actions towards his mother. Additionally, the color pattern hints at minimalism, a design particularly popular in the modern era. In Doran's case, Hamlet's frenzied behavior complements his dark surroundings. Low-key lighting manipulates the hostile ambiance of the scene by emphasizing subtle shadows. A dark environment is shaped through the use of underlighting. The stark contrasts between the light and dark areas of the picture allude to Hamlet's psychological self-division resulting from both internal and external conflicts. Due to the colors and lighting representing opposite ends of the spectrum, each film reflects elements from different time periods. Another key point of analysis is Hamlet's treatment of the people around him. Branagh's script does not deviate from Shakespeare's script in regards to Hamlet's treatment of Gertrude. Using bellicose actions to restrain his mother, it is evident in Hamlet's punitive language that he aims to determine whether or not Gertrude played a role in his father's murder. The audience is left to their own judgment as to whether she is guilty or not, as evidenced by her anger and bewilderment at Hamlet's "madness." Additionally, Polonius' death also adheres to the original story. The protagonist of each film does not hesitate to kill who he believes to be Claudius. Hamlet's lack of remorse over his extreme mistake goes so far as to insult the corpse of Polonius, calling him a "miserable fool, rash and intrusive."..