Despite the best and latest technologies applied to the facilities and functions, the plan of the Wimbledon Main Stadium still retains its solid and grandiose structure, succeeding the ancient structure of the Colosseum as being mentioned, "for the world of sport, aspects of the Colosseum are undoubtedly presented in modern stadiums". Architecturally, Wimbledon adopted the elliptical shape and arches to support the structure to make entry and exit convenient for spectators. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay The pitch in the center is surrounded by 5 levels of rows with hierarchical height allowing all spectators to experience the match to the fullest and 'feel the excitement. of the contest as if they were watching gladiator combat with 360 degree aiming capability. In Roman times, the ancient seats of the Colosseum were traditionally set in the same way by the social hierarchy. This element of spectator experience is reinforced by the Colosseum's enduring influence in contemporary stadium architecture, which represents a unity of people from diverse backgrounds around a shared, visceral experience. Thus, with its elliptical oval shape with hierarchical seats, spectators can experience the battle from a height as if from a bird's eye view. This is believed to enhance the feeling of reciprocity and enthusiasm. On the other hand, for the players, this positioning gives them a feeling of courage and competition because they too, as the center of all attention, can look up and see the grandeur of the Colosseum-inspired transverse structure. All this gives spectators and players a pleasant pastime. According to Michael Novak, “Sports arenas are places steeped in history. World of stories. We sit there, surrounded by ghostly ancestors. Novak describes arenas as “our cathedrals,” and there are indeed similarities between the faith that inspires visits to cathedrals and the passion that drives fans to sporting sanctuaries. In addition, six additional rows of seats on three sides of the upper tier have increased. the capacity of the Center Court from 13,800 to 15,000 people. New, wider seats have been installed to provide greater comfort to spectators. To allow for the installation of new seats, new media facilities and commentary boxes have been incorporated. More interestingly, while the Colosseum had an imperial box with special colored marble seats located in the middle of the south side higher than the other surrounding seats, the modern central courtyard also has a transparent glass tower to the east of inside the lawn as well as a royal box, basically close to the ground for a more up-close and visual experience and to reduce the hierarchical gap between visitors, although the transparency of the glass lends an ethereal quality to the movements of the VIP spectators in ordered space. Tennis may not be fierce and violent compared to the gladiator fights of the past, but the passion involved in witnessing the meeting of two opposing forces is a unifying theme between the past and present. According to one of the theories of the new urbanism, according to which "quality architecture and urban design emphasizes beauty, human comfort and the creation of a sense of place. The recent stadium has developed the concept of space in a limited space. “It’s all about creating space and getting into space,” recalled Ajax Amsterdam veteran Barry Hulshoff. “It’s a kind ofarchitecture in the field. Although Hulshoff believes that sport is about movement, it is also more about organizing space. The spatial practices of sport are included with two factors which are the setting and the performance. Setting refers to the alignment and allocation of the sports field, while performance focuses on the act of play. For Hulshoff, "whether it be the well-manicured grass of a championship stadium or plot schoolyard, playing fields are laboratories of spatial invention in which athletes design and spectators witness creative responses to the constraints of the setting and the actions of their teammates and opponents. With the central court as the heart of the landscape, the new tunnel allows discreet and secure access to the indoor court without disturbing the landscape. Meanwhile, the Tea Lawn setting is being enhanced to reinforce the spirit of 'Tennis in an English Garden' by creating a series of distinctive character areas set within an overall landscaped setting whilst enhancing the historic setting and the identity of Wimbledon. To the north-east there is a new press pitch with views of the pitch. All these elements are linked by the definition of circulation and the hierarchy of spaces through different types of paving. In terms of use of materials, the new main stadium and broadcast center, the first and largest phase of the redevelopment and modernization of Wimbledon's tennis facilities, features several innovative technical features using reinforced concrete. These include the exposed concrete spectator bowl with its complex high-quality in-situ concrete inclined beams supporting precast concrete seats, and adjoining piled basement retaining walls which enable deep excavation and economic. The reinforced concrete prefabricated and cast on site for the stadium. The bowl has been dramatically expressed, particularly at the four entrances to create structural depth. The reinforced concrete frame accommodation “trays” fit under the bowl but maintain a space that allows daylight to penetrate to the lowest public circulation routes. This makes players feel safe and confident, as if they are kept in their own comfort zone. Another interesting example of how the quality of architecture, human comfort and sense of place theory emotionally affect tennis players on their journey to the center court. Once they leave their private room to go to the center court, they must pass through different sections of the interior. Players must experience mixed emotions during this journey, apart from their nerves, expectations and the stress they have to endure. Walking towards center court could bring them into a heavy concentration due to the way Wimbledon sets up the interior. First, they must walk through a narrow, all-white hallway with many framed historical pictures hanging and meaningful quotes on the walls. It is obvious that tennis players have their idols and the fact that there are images of their idolized history around them could inspire positive energy in them. As they move forward, the woods slowly begin to appear inside, giving vintage Victorian scenes until they arrive at the clubhouse which is the entrance to center court. There is a famous giant green wall filled with names of past champions on the left side of the center court entrance. The name of past champions also encourages in-demand players to put their names in, especially players with names written in who want to add their.