Rebecca Horn is a German contemporary artist specializing in sculpture, with a few paintings from time to time. His artwork often depicts either the human body in "motion" or sculptures depicting human consciousness, isolation and vulnerability. The inspiration for his sculptures most likely came during his later period of stay in a sanatorium due to his poisoning from the use of certain sculpture materials, which ultimately caused him to develop a lung disease in 1968. Since then, she has turned to the use of soft materials reminiscent of bandages and prosthetics. Later in his sculptures, Horn would then begin to use small motors in his sculptures to evoke movement. An example of these would be his “Butterfly Series”. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essayBut first let's get to know her. Rebecca Horn was born in Germany on March 24, 1944, a year before the end of World War II. Until 1871, Horn had lived in Hamburg, Germany, then briefly in London, England, before finally moving to West Berlin in 1973. The same year, she made her first film known as Berlin Exercise: Dreaming Underwater, a film which won him the Deutscher KritikerPreis two years later. But his film career did not stop there as in 1978, Horn had made his first feature film titled Der Eintanzer and in 1990, a film titled Buster's Bedroom, a feature film starring Hollywood actor Donald Sutherland. Over the past two decades, Horn has expanded the vocabulary of his installations to directly manipulate the specific effects of mirror and light, while simultaneously experimenting with painting machines, poetry, postcard collages, and drawing. For example, in the 1980s and 1990s, Horn worked with site-specific installations that responded directly to places of great social and political significance. These were often extremely sensitive locations where war crimes had been committed. Two examples of installations would be his Concert in Reverse as well as the Concert for Buchenwald. These installations are the result of haunting responses to the former Nazi execution site and a former tram depot. In 1992, Horn became the first woman to receive the prestigious Tragerin Prize from the Kaiserrings Goslar and was also awarded the Medienkunst Preis. Karlsruhe for its technological and artistic achievements. By 1993, Horn had traveled across Europe and America presenting his works in exhibitions. In 2000, Horn addressed the impact his evocative works would have on audiences. For her, she sees that she has been given a role to expose a problem that exists in a place or social situation that she believes should be open for discussion. She understands that many people perceive her as a destructive and potentially unwanted force, because she is always seen as a challenge to facts or dominant cultural norms. Horn's belief is rooted in his assurance that artists have an important political role in society. Time and again, Horn often touched on themes often found in mythology and fairy tales, such as transformations, the discovery of a secret world of fairies and the supernatural. , the use of alchemy, and interest in using bodily machines. The materials she used in her artwork were usually feathers, binoculars, mirrors, butterfly pigments and musical instruments. As mentioned.