When you think of a “Goodfella,” the image of a kind, humble, and perhaps even honorable man comes to mind. Maybe someone like your dad or a mentor like a coach or teacher. In the film directed by Martin Scorcese, Goodfellas can resemble all these attributes or characters from outside. Ironically, being a Goodfella (or a smart man) is more about greed, corruption, and heartless murder than it is about being "humble." or “honorable”. Scorsese uses direction, editing and cinematography to introduce us to the dark world of the Italian mafia throughout the film. In the opening sound design scene, suspense is built as it also helps us understand how sickly and "comfortable" these characters have become with their gangster lifestyle. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essayThe importance of sound is often underestimated in cinema. It's something that's so easy to examine, but is also important to the overall success and perception of a film. Without proper sound effects, dialogue, and music, movies would seem disconnected and boring. In almost any film, music can be used to create things like tension, suspense, and feelings that the audience can really connect with as well. The dialogue must be perfectly adapted to the moving lips of the characters, while setting the tone of the film and moving it forward. Sound effects make the whole movie more believable and make you feel like you're actually in the scene. The opening scene begins with the opening credits, with the sound of a car driving repeatedly in the background. This immediately implies that they regularly drive on a straight road, such as a highway. At the end of the credits, the rear of a car driving on the highway appears. He is completely alone on the road, and is in the middle of the night. This gives the scene a strange and isolated feeling as the car continues to drive. We get an example of staging, as the words “New York, 1970” appear on screen, immediately revealing the setting. The camera then cuts to 3 men sitting in the car (Henry Hill, Jimmy Conway and Tommy Devito), with the camera focused on the driver, using a medium shot. They all look tired and the car is quiet. The scene is innocent enough at first, as they all seem relaxed, with Jimmy Conway looking like he's falling asleep in the passenger seat. The only sound in this scene is that of the car driving down the highway, the only light coming from its headlights and taillights. The lightning adds a nice sense of mystery to the scene. The men sit in silence until a very slight rustling is heard coming from the back of the car. The men look surprised by this, with Hill saying, "Fuck, that's it." The rustling gets louder, as Tommy suggests it might be an "apartment", eventually saying the men should stop and see. The tone used by the men suggests that they have no idea what is making the noise, implying that they have done nothing morally wrong. The scene then cuts to the car in the woods, with the three men getting out to inspect the back of the car. car. The setting implies that they are all alone, with crickets chirping, with the sound of leaves crunching as they walk around the car. The scene begins to lose its innocence, as we see Jimmy and Tommy draw their guns, as they decide to open the trunk. Jimmy,.