According to the Oxford English Dictionary, making peace means "to become resolute or reconciled." What does it feel like to find acceptance and success in your quest to make peace with a past you can't let go of? In “The Glass Castle” and “Born A Crime,” Jeanette Walls and Trevor Noah discuss different forms of peace with their pasts. Jeanette needs her struggles to be heard, and Trevor lets the trauma subside. Although marginalization limits imagination, Trevor and Jeanette push beyond their limits to exceed their potential. “Learn from your past and be better because of your past,” she said, “but don’t cry over your past. Life is full of pain. Let the pain sharpen you, but don't hold on to it. Don't be bitter. »Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay “Once I saw a small Joshua tree growing not far from the old tree. I wanted to dig it up and replant it near our house. I told mom I would protect it from the wind and water it every day so it could grow nice and tall and straight. Mom frowned. “You would destroy what makes it special,” she said, “It’s the struggle of the Joshua tree that gives it its beauty.” Jeanette learns that struggling helps something become something more beautiful. When she moves to New York, Jeanette doesn't want anyone to know that her parents are still homeless. She doesn't want anyone to know the life she lived. Jeanette Walls finally allows herself to grow sideways after trying to force herself to grow up. She fled, trying to deny and escape her parents' lifestyle. Jeanette tries to let go of her past. She wanted to feel persistent and aware of the identity she wanted to achieve. Once she allowed herself to accept her damaged childhood, she was able to take one step closer to reconciliation. “I remember the thing that caused the trauma, but I don't hold on to the trauma. I never let the memory of something painful stop me from trying something new. Trevor believes that holding on to the trauma of one experience will ruin the rest of your days. He knew he had to let the anxiety subside. He's not saying to ignore your feelings, but to make an effort to move forward in life. Don't stop trying to find permanent peacebuilding. Some people want their struggles to be heard, others want to forget, some want to move on and still others succeed. If you don't make any attempts, you won't move forward. Over time, Jeanette Walls and Trevor Noah realized that heartbreak and trauma are never worth longing for. Potential is a word that often goes beyond its meaning, defining people based on their ethnic, financial, and family backgrounds. Trevor Noah wants to exceed his potential, rather than letting potential define him. He grew up in the ghetto, but he doesn't let the ghetto become his identity. “In America, the dream is to escape the ghetto. In Soweto, because it was not possible to leave the ghetto, the dream was to transform the ghetto. The ghetto had a high crime rate and Trevor knew how easy it was to be accepted into crime. After all, crime does not discriminate. Anyone can be satisfied with the “benefits” of their project, but Trevor felt that this was not the way to live the rest of his life. He had always been a foreigner, the apartheid law had made it legal. Apartheid law used marginalization, limiting thought of success and imagination.This didn't just limit teenagers' imaginations. It has affected every race, every language and the ability to understand the idea of ​​freedom. Trevor knew there was an outside to Africa and he didn't want to leave Africa, but rather have a hold on its future. Jeanette Walls' childhood seemed hopeless. “No one expected you to be worth much,” she told me. Lori was the smart one, Maureen the pretty one, and Brian the brave one. You never had much going for you except that you always worked hard. By the time Jeanette moved to New York, she was seventeen and tired of watching her parents fight to stay alive. She learned to be her own mother at the age of thirteen, setting a budget and feeding "her children." Jeanette had made an effort to showcase her writing skills and become the school reporter. She wrote and read articles in newspapers and felt she could finally piece together the puzzle of life. All her life, Jeanette had received the information her parents wanted her to know: their opinion. She no longer knew just their opinion, but the whole story. Jeanette perceived this feeling as one of contentment, a reminder that she has more than what she seems to offer. “You'll have a few bruises and they'll remind you of what happened and it's no big deal. But after a while, the bruises fade, and they fade for a reason: because now it's time to get back to shit. “Learn from your past and be better because of your past,” she said, “but don’t cry over your past. Life is full of pain. Let the pain sharpen you, but don't hold on to it. Don't be bitter. Trevor demonstrates that at some point you have to let go of your past because crying doesn't heal you. Don't forget your roots, but it's okay to come back damaged and injured. Bruises, wounds, scars heal. He feels like he shouldn't have to feel bad for himself or continue to feel bad for something that will pass. Trevor shows the reader that now that he has been injured, he can start again and avoid the stress. He knows that moving on will give him better peace of mind. Moving forward will help him develop his own identity as an individual process. He believes that if you let your past or your environment define you, there will be no originality. Trevor grew up learning that self-pity would only disrupt the feeling of joy. He used abuse and racism to prove to himself that he doesn't need to conform to succeed. He was a stranger, but he is prosperous and prosperous knowing he doesn't have to worry about the lies he told. Trevor is at peace. “Sometimes you need a little crisis to get your adrenaline pumping and help you realize your potential.” Jeanette has reached an agreement with her mother: she can create something incredible out of nothing. Jeanette feels like she would be wasting her time longing for a crisis when she could be doing much better. She lost faith in the idea of ​​the glass castle her father had promised her, representing her coming of age. She developed a peaceful environment on her own. Jeanette has finally reached a real period in her life where she is no longer looking to change families. She is not trying to change herself, but only to improve herself. Once you have made peace with your “difficult” past, it simply becomes your past. We don't make peace with our past for others, but to make our future work. Trevor and Jeanette managed to take their tainted past and make it beautiful. They no longer deny a childhood that seemed to them.'