Robert Consumes composed the sonnet "A Red, Red Rose" in 1974 from an excessive assortment of conventional Scottish melodies accompanied by a good soundtrack. Consommes needed this sonnet, like the others, to be able to possess the largest crowd imaginable. The red rose could be an image of affection. The sonnet of Consume was awakened by the Scottish melody and so the songs distributed from the sum. The sonnet “A Red, Red Rose” depicts the speaker's adoration for those close to him with wonderful, but unreliable, imagery. Consumes composed her first sonnet at the age of 15, it was called "Attractive Nell" and was about her past adoration for a lady named Nellie Blair. Consumes composed many well-known love sonnets, including “A Red, Red Rose” and “One Affectionate Kiss.” Consomme began to charm Mary Campbell and considered training alongside her in the Caribbean. The writer was a man of extraordinary astuteness and a pioneer of sentimental development. Consumers have various kinds of abstract procedures that have drawn a large measure from the impact of English writing, the Book of Scripture and, subsequently, the Scottish English language. Through the work of allegorical language, the writer shows his greatness of warmth. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get an original essayThe main artistic strategy is a metaphor/reiteration of consonants inside a similar line in light of the fact that the sound of /l/ and /r/ and enjambment following a phrase immediately after the tip of a verse or chorus. There are comparison tests within the main chorus with the rue of 'O my Luve is a kind of red, red rose'. Additionally, “red” could be a shade of enthusiasm, to assign the shade to “pink” twice in a top column, a robust measure of energy to feeling, in this way the shade needs to be reshuffled. The third line, “O my adoration, is much the same as the melody.” The writer contrasts his affection and a sweet song. The job of a metaphor is to coordinate one element or someone with another thing so that the implications are clear to the reader. Consume uses a resemblance to coordinate the degree of his affection for her by comparing her to the pretty things of the world. Besides the idea of ​​the “rose,” the storyteller connects his “Luve” to the “novelty” of June and to a “song that plays softly in order.” The connection is reestablished to such an extent that he feels recharged through this sort of mid-year day and a melody is an important part of his life as his “Luve” is “sweet” and phenomenal. With each new thought thrown upon a new verse, it seems as if the storyteller is striving to discover a method for processing the entirety of his "Luve." An illustration is another scientific method. Consomme uses many images and, in this sense, the idea that depicts love and delicacy in time. His adage love and miracle is delicate because they exist in time. Consume said at the tip of the third verse the line “sand of life.” Consumes analyzes the extent of our lives passing through the sands showing an hourglass in Consumes contrasting our lives with the sands flowing from an hourglass, Consumes inspires the very reality that, at one time or another, our time on earth will run out, a bit like sand in an hourglass. However energetic the speaker's affection for his adored one, his adoration also closes. Metaphor is another scientific strategy used by Consumes to overestimate his emotional articulation. The essential exaggeration in the following verse. "and that I will love you.