In William Wordsworth's "The Green Linnet", the intentional use of a unique poetic structure combined with close observation of the linnet parallels the bird with the act of poetry itself, demonstrating that in the absence of A pathetic error, a relationship of appreciation is established between man and the natural environment Through a distinctive rhyme scheme and rhythm, the song of. the linnet transforms into a form of poetry Additionally, the semantics and diction that describe the bird's inherent tendencies connect the animal in its natural world to the speaker of the poem. The rhythm of the poem imitates the call of the linnet, suggesting that the innate musical qualities that nature possesses connect it to other art forms, such as that of the poem. The rhyme scheme, aaab cccb, is representative of. no specific type of poem (“Rhyme Scheme”), symbolizing the call of the linnet, which is unpredictable and does not follow a specific bird song pattern (“Common Linnet”). Say no to plagiarism. Get a custom essay on “Why Violent Video Games Should Not Be Banned”?Get an original essayBreaks in the rhyme scheme, such as in the second line of the third stanza, in which “lovers” (Wordsworth 18) n rhyme with "flowers" (Wordsworth 17) and "arbors" (Wordsworth 19), present another layer of the unpredictability associated with the cry of the linnet. This distinction is also present in the fourth stanza, where “ecstasies” (Wordsworth 27) contradicts the rhyme established by “trees” (Wordsworth 25) and “breeze” (Wordsworth 26). Composed of stanzas with series of three irregularly paced lines followed by a more normally paced line, the rhythm of the poem further imitates the call of the linnet, which is characterized by bursts of frenzied chirping interspersed with softer chirps and consistent (“Common Linnet”). The indentation of the fourth and eighth lines of each stanza suggests a pause, which emphasizes the distinction between the two speeds and the sounds that distinguish the linnet's song. In translating the song of the linnet into poetic structure, it is evident that the musicality of the bird inspires another art form, poetry, to serve as a representation of the natural environment. Beyond the structure of the poem, the semantics and diction of the linnet's detailed observation connect the bird to the speaker of the poem, connecting the natural world to the human world. There is an irony in the lines “You, wandering through the bowers, / Thou art alone in thy employment” (Wordsworth 19-20). While "Art" is the archaic second person singular present tense of "to be", its possible double meaning referring to the linnet itself as "art" is suggested by the following lines: "A Life, a Presence like the Air, / Scattering thy carefree joy” (Wordsworth 21-22). These lines, which on the surface describe the carefreeness and joy of the linnet, also elevate the bird to the level of art, as the capital letters of the words "Life", "Presence" and "Air" emphasize the importance and describe the overall goal of the poem itself, to spread joy and a simple appreciation of nature. Comparing the purpose of the linnet with that of the poem, and poetry being its own art form, the linnet itself is seen as an artistic symbol of the natural world. The indentation of line 20 and the inversion that places "Art" at the beginning of the line also highlights this specific word, while "employment" (Wordsworth 20) emphasizes the poem's sense of duty or purpose and linnet. The two dots that end line 20 connect the line to the following lines, confirming that lines 21 and 22 qualify linnet as "art." In the preceding stanza, the speaker renounces: “You, Linnet.