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  • Essay / Ludwig Van Beethoven Compositions

    Ludwig van Beethoven was a German composer and the preeminent musical figure of the transitional period between the Classical and Romantic eras. He was born on December 16, 1770 and died on March 26, 1827 at the age of 56. He was a pianist and composer whose innovative composition combined voice and instruments, expanding the scope of sonata, symphony, concerto and quartet. His personal life was marked by a struggle with deafness. Some of his most important works were composed during the last ten years of his life, when he was unable to hear. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essayA symphony most often written by a composer for orchestra and is an extended musical composition in Western classical music. Beethoven created the first symphony with two works directly imitating his models Mozart and Haydn. Symphonies are written for strings such as violin, viola, cello and double bass, for brass, woodwinds and percussion instruments. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments. A full orchestra can sometimes be called a symphony orchestra or philharmonic orchestra. The actual number of musicians employed in a given performance can vary from seventy to over a hundred musicians, depending on the work being performed and the size of the venue. In recent decades, some orchestras have returned to seats of Baroque, Classical, and Early Romantic musicians; the second violins on the right, the cellos and violas in the center which gives the music a stereophonic effect. What is an orchestra? Whether viewed as a collection of individuals or as a single, quasi-organic entity, it is widely accepted that there is no standard form for the orchestra; that its size and instrumental composition will vary depending on the needs of the music. Such requirements may be stipulated by the composer or implied by the style and period of the repertoire to be performed. Another element of orchestral design is the seating arrangement, or location, which, again, has no single standard, but can have as much influence on the overall sound as numbers or instrumentation. Orchestral seating receives little, if any, attention in most available textbooks on conducting or orchestration. Arguably this is less important than the basic principles of technique in either discipline; however, the way an orchestra is organized undoubtedly has an influence on its sound and function. Despite their possible impact on performance outcomes – namely the practical aspects of music-making for the musicians and conductor, and the way the music is heard by the audience – seats do not often benefit from the treatment flexibility afforded to many other aspects of performance practice. The first movement opens with the four-note motif mentioned above, one of the most famous in Western music. There is considerable debate among conductors as to how to play the opening four measures. Some conductors take it in a strict allegro tempo, others allow themselves a heavy treatment, playing the motif in a much slower and more majestic tempo; still others take the molto ritardando motif (a pronounced slowing down in each four-note phrase), arguing.