Films that we interact with in our daily lives require people from various fields to communicate and cooperate in order to produce the best quality. A director is a person responsible for all aspects of the film and its production; in other words, the central hub of film production. They work throughout all phases of production: pre-production, production and post-production with different people in various areas. They must have a strong vision and be careful in decision-making, as they choose where to place the camera, what props to use, how the characters will perform in the scenes, etc. Simply put, they are responsible for overseeing the whole thing. film production process and the final film itself. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essayLee Joon Ik, a South Korean director, is well known for his creation of cinema pieces that include a variety of stories realistic to communicate with a wide range of audiences. In order to effectively convey his vision of a story, he mainly focuses on three different components in the production processes. He is careful to give his actors space to experience the story and their characters, and tries to direct different types of camera movements to show rather than tell. Additionally, he emphasizes "realism" in his creations, considering the different feelings that the audience can sympathize with, and continues to ask the question of "how can we interact through a piece of film" in mind. 2013 "Hope" is a film based on a real-life incident involving a young girl in South Korea. The overall storyline involves detailed acting to show the "realism" of the real-life incident, in which Lee Joon-Ik mainly focused on providing a safe space for the actors to express their characters. In one of his interviews about this film, he mentioned: "I tried to avoid extreme close-ups for certain scenes to allow the actors to concentrate more on their acting." Another film directed by Lee Joon-Ik, 2006, “Radio Star” tells a story. of an absent singer who experiences hope and joy by becoming a radio DJ again, with the support of his friend. In order to bring out the true "feeling" of happiness and love in the film, Lee Joon-Ik focused on effectively directing the actors and camera shots. He believed it was important to interact with the audience through a piece of film, because they should feel the same emotions as the actors and be involved throughout the plot. By taking a closer look at his creations, we as an audience are able to notice his intentions. Here, from the movie "Hope," a young girl's father looks over the office door after speaking to the doctor about her condition. In most films, directors and cinematographers use medium or extreme close-ups in order to more specifically show the character's emotions towards the audience. However, most of the scenes in this movie "Hope" use some sort of object or person on either side of the stage aside from the main character in order to give them space and create a sense of "audience perspective »: Rule of thirds. By considering the rule of thirds, Lee Joon-Ik not only opens up space for actors to focus on their emotions, but also creates the feeling that we are actually part of the scene by observing the scene situation. As an example in this other scene, Lee Joon-Ik deliberately directs the camera's focus to matchto the rule of thirds in order to give the actor the space to act as if he were "real", while still allowing the audience to see this character. from the perspective of the daughter watching her father suffer. Lee Joon-Ik's intention to open the space for actors is not only illustrated in the film "Hope". From his other creation “Radio Star”, Lee Joon-Ik continues to use the rule of thirds for better development of the storyline. As seen, this scene also shows the characters talking to each other, however the camera focuses on the later character in the scene while blurring the closer one. Since one of the characters is acting and speaking, Lee Joon-Ik deliberately gave the actor space, while the audience sees the scene as if it were simply "The Rule of Thirds." The scenes in the film not only show that as a director he tries to cooperate with the actors, but also demonstrates his ability and understanding of how things are seen on screen and also creates an aesthetic balance. The camera movements that Lee Joon-Ik directs in his films are unique because they help show the story rather than tell it. The next scene from "Hope" shows the actual camera perspective. This is truly unique because it allows the audience to be involved by watching the scene as if they were a real character in the film. Lee Joon-Ik not only presents his idea of ​​the story as a director's point of view, but also gives the audience a chance to imagine and judge the story on what they "see" on the screen. screen. Another scene from “Hope” gives us a different feeling than before, but also uses the unique directions of camera movements. As this scene plays out, the camera plays two different roles here. First, it makes the audience feel like they are running around as if they are the “father” of the film. Additionally, it acts as if the audience is one of the camera operators trying to capture the situation. Here, Lee Joon-Ik's intention develops two different perspectives and situations of society in which the audience feels free and imagines beyond a limited perspective. His other film “Radio Star” shows his intentions when it comes to unique camera movements. In this creation, he mainly focuses on directing by providing the points of view of two different characters in the same scene. The special thing here is that he directs the details of each scene in such a way that he can use his intentions in a single camera flow movement, instead of using jumps during editing. As an example, the following scene shows two different situations of two different characters in a single camera feed, which gives the audience the feeling that they are actually watching the situation. Lee Joon-Ik remains focused on interacting with his audience as much as possible. , to communicate the story not only from a limited point of view but as different people in society. Lee Joon-Ik is famous for his creations based on the "real" world, for which he keeps "realism" as much as possible in order to make the audience feel sympathetic and aware of the "real society" in which he lives. The movie "Hope" is actually based on a real-life incident, in which Lee Joon-Ik focused on increased collaboration with actors, filmmakers, writers, etc. to develop the “realism” of the story to its maximum. By watching the scene, we as an audience are able to understand the true side of the story. Here, through Lee Joon-Ik's detailed instructions, we can see on screen how people only think about their benefits and realize the seriousness of the incident as a South Korean citizen. The details of the actors, the flashes of.