Magical Realism in the Works of Laura Esquivel and Isabel Allende Magical Realism. As an extension of the literary movement of postmodernism, magical realism was part of a broader cultural progression in the mid-20th century, common in Latin America. Postmodernism, encouraging the use of elements of story, illusion and complexity, developed magical realism as a genre, due to its convoluted nature and mixing of genres to produce something new. The authors use magical elements to determine the realism of society and evoke the mystery and extraordinary of everyday life. Laura Esquivel's "Like Water For Chocolate" and Isabel Allende's "The House of Spirits," both set later in the mid-20th century, delve deeper into concepts of the exaggeration of love and female power. By questioning classical ideas of time and space, converging with the elements of exploration and pushing boundaries, both novels manifest inner emotions into the physical world, making the hidden visible. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay The fusion of present and past, the juxtaposition of different things, and the exquisite detail and unusual perspective employed by magical realists in literature, sought to reconstruct - reinvigorate the ordinary with the sublime. To amplify and exaggerate the universal value and belief in love, and the struggles and repercussions that come with it, elements of the supernatural can be applied. Esquivel interweaves Tita's personality traits and desire for love with the inexplicable situations that correspond to her feelings, which are highlighted by the complexity of each character's actions. Pedro's justification for agreeing to marry Rosaura, Tita's sister, is that "when you are told that you cannot marry the woman you love and that your only hope of being near her is to marry his sister, wouldn't you do the same? » Consistent with the value of inventing strange actions, Esquivel depicts Pedro's strategic thinking as a way to win her love, regardless of unbreakable family tradition. In the mid-20th century, the typical marriage had the man as the dominant figure. Since Pedro's idea was simply unrealistic at that time, Esquivel emphasizes how close people are going to be to their loved ones. However, the main location of magic in this novel is the kitchen, as food is used as a means of communication and transference in this novel. The structure of this novel divides each chapter into a recipe that evokes the protagonist's point of view. To symbolize the important stages of Tita's life, each chapter begins with “PREPARATION: Take care to finely chop the onion. So as not to cry when you chop it (which is so boring!)" From the cut onion in chapter 1, the representation of "Tita entered this world, prematurely, there, on the kitchen table, amid the smells of simmering noodles. soup, thyme, bay leaves and coriander, steamed milk, garlic and, of course, onion. Each chapter, beginning with a recipe followed by narration, ensures that home remedies are spread throughout the novel. This narrative structure shifts the focus to the food, which is not only symbolic of emotions, but includes key elements of the storyline. The structure of this text depends solely on these recipes, because the main..

Essay / Magical Realism in the Works of Laura Esquivel and Isabel Allende Magical Realism. As an extension of the literary movement of postmodernism, magical realism was part of a broader cultural progression in the mid-20th century, common in Latin America. Postmodernism, encouraging the use of elements of story, illusion and complexity, developed magical realism as a genre, due to its convoluted nature and mixing of genres to produce something new. The authors use magical elements to determine the realism of society and evoke the mystery and extraordinary of everyday life. Laura Esquivel's "Like Water For Chocolate" and Isabel Allende's "The House of Spirits," both set later in the mid-20th century, delve deeper into concepts of the exaggeration of love and female power. By questioning classical ideas of time and space, converging with the elements of exploration and pushing boundaries, both novels manifest inner emotions into the physical world, making the hidden visible. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay The fusion of present and past, the juxtaposition of different things, and the exquisite detail and unusual perspective employed by magical realists in literature, sought to reconstruct - reinvigorate the ordinary with the sublime. To amplify and exaggerate the universal value and belief in love, and the struggles and repercussions that come with it, elements of the supernatural can be applied. Esquivel interweaves Tita's personality traits and desire for love with the inexplicable situations that correspond to her feelings, which are highlighted by the complexity of each character's actions. Pedro's justification for agreeing to marry Rosaura, Tita's sister, is that "when you are told that you cannot marry the woman you love and that your only hope of being near her is to marry his sister, wouldn't you do the same? » Consistent with the value of inventing strange actions, Esquivel depicts Pedro's strategic thinking as a way to win her love, regardless of unbreakable family tradition. In the mid-20th century, the typical marriage had the man as the dominant figure. Since Pedro's idea was simply unrealistic at that time, Esquivel emphasizes how close people are going to be to their loved ones. However, the main location of magic in this novel is the kitchen, as food is used as a means of communication and transference in this novel. The structure of this novel divides each chapter into a recipe that evokes the protagonist's point of view. To symbolize the important stages of Tita's life, each chapter begins with “PREPARATION: Take care to finely chop the onion. So as not to cry when you chop it (which is so boring!)" From the cut onion in chapter 1, the representation of "Tita entered this world, prematurely, there, on the kitchen table, amid the smells of simmering noodles. soup, thyme, bay leaves and coriander, steamed milk, garlic and, of course, onion. Each chapter, beginning with a recipe followed by narration, ensures that home remedies are spread throughout the novel. This narrative structure shifts the focus to the food, which is not only symbolic of emotions, but includes key elements of the storyline. The structure of this text depends solely on these recipes, because the main..

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