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Essay / Lou's Maturity and Tolerance in “The War of the Wall” by Toni Cade Bambara
The War of the Wall Analytical Essay“Lou dragged me along because I was about to grab the ladder and shake it. » From the narrator's point of view, he wanted to bring her down so badly, without even warning her politely at first. After all, she had no right to invade their privacy. But before the narrator could do the wrong thing, Lou saved the painter from any further embarrassment, which shows more maturity and tolerance in Lou. In the story "The War of the Wall", Lou and the narrator initially disapproved of the lady painter, "stealing their wall", but eventually they learn that she was only trying to honor their society. no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay One day, out of the blue, the painter came into the lives of Lou and the narrator, painting their precious wall that held a special place in their hearts. Before the arrival of this unexpected nuisance, Lou and the narrator would never have guessed that such a familiar childhood memory could escape them so easily. Their memories of their role model, Jimmy Lyons, are said to have disappeared. Instinctively, Lou and the narrator had to do whatever it took to get “their” possession back for him. In their arms. “You’re not even from here,” the narrator shouts at the painter after spotting her New York license plate. Immediately, the boys saw her as an unthinking outsider. Unfortunately, at the wrong time, the painter asked for food right after refusing fresh meals prepared by two innocent girls, thus ruining her reputation and making her a liar. To add to this chain of unfortunate events, the lady painter ate noisily like a pig and kept noticing minor “flaws” that made the food of this culture even tastier. At that point, other restaurant patrons and the restaurant owner caught fire. But what does it matter? After all, all she did was ignore, ignore, ignore. At first, the lady painter was just an irritation, a little fly, liable to be swatted at any moment. But now it was time for the narrator to roll up his sleeves and do the dirty work, thus tipping the scales. And that's when Lou put an end to any further problems. This presents the fact that Lou is a follower, a sidekick, walking behind the narrator until there are truly serious consequences. Instead, Lou and the narrator bought spray paint to damage the work the painter had done. Ironically, this unreasonable tactic was inspired by their elders' disdain for graffiti. “Dad called it 'graffiti.' Grandma called it a shame. This shows how desperate the boys are to stop him, sacrificing their childhood memories to feel enough. Now it wasn't just about protecting their wall; it was also a question of ego. Just as Lou and the narrator were returning from their purchase, his beautiful new work of art was revealed, the new wall. The boys and other members of the neighborhood looked at the wall in amazement. Jaws dropped, paintings slid, Lou and the narrator felt something. It was sympathy, regret and awareness of their misunderstandings. The vibrant “swirls of purples and oranges” reminded the Taliaferro Street community of their African origins. Lou and the narrator realized that they didn't need Jimmy Lyons' old memories because there could always be new memories and they were too quick to judge. Additionally, the illustrations.