-
Essay / Critical Review of the article Why Are All Cartoon Mothers Dead by Sarah Boxer
The fantasy cartoon gives us an understanding of life from beginning to end. We rewatch all the cartoons and movies from our childhood, but do we enjoy its final conclusion where it's the same happy ending. In Sarah Boxer's article "Why All the Cartoon Mothers Died," she points out the pattern of deaths or missing mothers in Disney cartoon films. Boxer takes us on an adventure by providing us with examples of Disney movie mothers who disappear or end up dead at the beginning of the film, while the father takes on the role of the mother in caring for her child. This article is compelling, provides entertaining content, and grabs our attention. However, his research was poorly publicized, lacked counterarguments, and had an informal tone and word choice. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay The article begins with Boxer noting how every Disney children's film begins with a mother depicted in her grave from the perspective of her children or already dead. It always ends with the children's father caring for them, representing both the father and mother figure. She proves her claims by understanding the use of these Disney films that represent the domination of father figures. An example she cited as Finding Nemo, where Marlin the single father replaces the mother character by overcoming his fear to protect his son Nemo. This sparks both Boxer's and the reader's interest in the replacement of mothers in these films. Additionally, she suggests that the writers not care about dead mothers. And they are voluntarily replaced by the fathers. She gives an example from the movie Barnyard, in which the bull Otis is taught by his father Ben how to be a stronger, tougher man without having a mother in their life. Another example included by Boxer is the film Brother Bear in which Koda follows father figure Kenai without knowing that he killed his mother. As you already know, the ending has them both living happily in a world without mothers. “And yet, in this medium where creators have complete control, we continue to have the same cursed world – a world without mothers. Is this really animation’s dearest wish? Can mothers really be this threatening? As you can see, she is very persuasive and demanding, wanting readers to agree with her on the film examples she gives us. This culminates in Boxer bringing up the sexism in these films by comparing today's fathers of cinema and Mickey Mouse, describing them as "magnanimous, caring and fun". “Everyone knows and loves Mickey Mouse. Since he is so perfect, anything a woman can do, Mickey Mouse can also do. Although Boxer makes good use of evidence, some of his arguments lead to misunderstanding. After being told to get over it, she begins speaking to the audience about the reality regarding single and married households, stating: "Did you know that 67% of American households with children are headed by married couples. 25 percent single mothers and only 8 percent single fathers (nearly half of whom live with their partner)? In other words, the fantasy of the fabulous single dad served up at a theater near you isn't just any fantasy; This is close to the opposite of reality. And so I wonder: Why, when so many real families have mothers and no fathers, do so many children's films portray fathers as the only parents? His argument goes from the deceased mothers of.